DESIGN PRINCIPLES - TASK 1: EXPLORATION

2/2/26 - 1/3/26 (Week 1 - Week 4)

Lim Jia Xuan  0371026

GCD60804 Design Principles

Task 1:Exploration

TABLE OF CONTENTS

1.0 Lectures
2.0 Instructions
3.0 Task 1: Exploration
4.0 Selected Artwork & Explanation
5.0 Reflections

1.0 LECTURES


< Elements of Design >

Point

  • The simplest element of design

  • Indicates a position in space

  • Repetition of points can create patterns, lines, or shapes

Line

  • Created by connecting points

  • Can guide the viewer’s eye

  • Used to show direction, movement, or boundaries

Shape

  • A two-dimensional enclosed area

  • Formed by lines or colour

  • Can be geometric or organic

Form

  • A three-dimensional version of shape

  • Has height, width, and depth

  • Gives a sense of volume and mass

Texture

  • Refers to surface quality
  • Can be tactile or visually implied

  • Adds depth and visual interest

Space

  • The area around, between, and within elements

  • Includes positive and negative space

  • Helps create balance and clarity

Colour

< Principles of Design > 

Contrast

  • Shows differences between elements

  • Creates visual interest

  • Helps important elements stand out

Gestalt Theory

  • Explains how the eye groups visual elements

  • Focuses on seeing the whole rather than parts

Principle of Similarity

  • Similar elements are perceived as related

  • Creates unity and organisation

Principle of Continuation

  • The eye naturally follows lines and paths

  • Guides viewers through a design

Principle of Closure

  • The mind completes incomplete forms

  • Allows shapes to be perceived as whole

Principle of Proximity

  • Elements placed close together are seen as related

  • Improves organisation and readability

Principle of Figure / Ground

  • Distinguishes the main subject from the background

  • Helps direct viewer focus

Principle of Symmetry & Order

  • Creates balance and stability

  • Results in a structured and organised composition




2.0 INSTRUCTIONS



3.0 TASK 1: EXPLORATION

1. Gestalt Theory

Gestalt Theory focuses on how the human eye naturally groups visual elements to form patterns and meaning, enabling viewers to perceive complex images as organised and unified forms.

In this poster, the principle of closure from Gestalt Theory is applied. When viewed from a distance, the image may create a misunderstanding, as the highlighted (lightning) area appears to form the shape of a skull. However, when viewed from a closer distance, it becomes clear that the image actually depicts two women.

2. Contrast

Contrast highlights the differences between elements in a design. It creates visual interest and helps draw attention to key areas, allowing certain parts of the design to stand out more clearly.

In this poster, colour contrast is created by placing red elements against a consistent background. The red elements stand out immediately, creating a strong contrast with the background. This enhances visibility and helps guide the viewer’s attention towards the highlighted areas and the intended meaning of the figure.



3. Emphasis

Emphasis is achieved when a design directs the viewer’s attention towards a dominant element, highlighting its importance within the overall composition.

In this image, emphasis is created through the use of colour and shape to establish a clear focal point. A bright red outer ring and a solid black inner circle stand out against a messy background formed by organic lines. Although the viewer’s eye may initially follow the leading lines, the red circle quickly redirects attention and draws the viewer’s focus to the centre.

4.Balance 

Balance refers to the distribution of visual weight in a design, creating a sense of stability and visual harmony.

In this poster, symmetrical balance is applied, as both the top and bottom of the design carry an equal visual weight, creating a balanced overall composition. However, the designer adds visual interest by introducing pattern to one half of the circular form while still maintaining symmetry. In symmetrical balance, elements on one side are mirrored on the other, resulting in equal visual weight. This creates a strong sense of stability and order within the composition.

5. Repetition

Repetition is the repeated use of visual elements such as colours, shapes, or patterns to create consistency and unity within a design.

In this image, comma shapes are repeated throughout the composition. The repeated use of the comma not only reinforces visual consistency but also introduces a sense of movement, guiding the viewer’s eye across the image. This repetition creates rhythm, keeping the composition visually engaging and dynamic.

6. Movement

Movement is the use of visual elements to guide the viewer’s eye through a design, creating a sense of flow and direction.

In this poster, movement is demonstrated by guiding the viewer’s eye from top to bottom. The designer uses lines as leading elements, drawing attention to the car as it appears to travel downward through the composition.


7. Harmony & Unity

Harmony and unity arise when shapes, lines, colours, and other elements are combined thoughtfully, so the composition feels balanced and integrated.

In this image, the typography and human figures work together to create a balanced and harmonious look. The poster combines straight, sharp lines with curved lines in both the figures and the text, blending these elements so they appear unified and consistent throughout the design.

8. Symbol

A symbol is a shape, sign, or object used to represent an idea or concept, allowing information to be communicated quickly.

In this image, the Möbius loop is creatively formed by joining both hands to create the shape. Using a symbol in a creative way like this enhances interaction between the designer and the viewer, making the design more engaging and memorable.

9. Word and Image

This principle emphasises how combining text and visuals can guide the viewer’s understanding and engagement, creating a more effective and memorable design.

As a Sudoku lover, I find this image particularly appealing because of its interactive design approach. The designer arranges the letters in flowing, slightly overlapping grids and leaves several boxes empty, creating a visual experience reminiscent of filling in a Sudoku puzzle but in a modern, playful style. This interactive approach encourages viewer engagement and makes the design both intriguing and memorable.




4.0 SELECTED ARTWORK & EXPLANATION

<Ocean's Twelve> Movie Poster 
2004

Design Principle Observed:
  • Contrast
  • Emphasis
  • Movement
  • Repetition
  • Word and Image

Eplaination of Choosen Design

I chose this poster because, despite its strong red, black, and white contrast, the overall design feels flat. The large red “12” serves as the main focal point, clearly indicating the film’s title, but the repeated human figures compete for attention, weakening emphasis. The diagonal number and walking poses suggest movement, yet the dense repetition makes it feel chaotic rather than guiding the viewer’s eye. The cluttered layout and lack of white space reduce clarity and visual balance. More breathing room would separate elements, strengthen emphasis, and create a more refined composition.



5.0 FEEDBACK

WEEK 4
The chosen image for exploration was interesting, do provide more explanation on why you selected it.

WEEK 3
CNY HOLIDAY

WEEK 2
Continue working on the e-portfolio.

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